It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. Joan grew angry. “If you choose to suspect evil, of course you can,” she answered with hauteur. “But you might have known me better. I admire the man and sympathize with him. All the things I dream of are the things he is working for. I can do more good by helping and inspiring him”—she wished she had not let slip that word “inspire.” She knew that Flossie would fasten upon it—“than I can ever accomplish by myself. And I mean to do it.” She really did feel defiant, now.!

“It always seemed to me immoral, the marriage ceremony,” the Human Document was explaining. She was a thin, sallow woman, with an untidy head and restless eyes that seemed to be always seeking something to look at and never finding it. “How can we pledge the future? To bind oneself to live with a man when perhaps we have ceased to care for him; it’s hideous.” Joan seated herself on one of the chairs ranged round the walls, and drew the girl down beside her. Through the closed door, the mingled voices of the Foreign Secretary’s guests sounded curiously like the buzzing of flies.

He drove her back to Paris, and she promised to come and see him in his studio and let him introduce her to his artist friends. He knocked the ashes from his pipe and relit it. “I heard you come in,” she said. “You’re not busy, are you?”